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The Synth-Pop Duo's Creative Genius Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) formed Soft Cell with Marc Almond at Leeds during 1977

The talented musician, one half of the groundbreaking 1980s synth-pop duo Soft Cell, has passed away at the age of 66.

Together with singer Marc Almond, the duo achieved a worldwide hit with their version of Gloria Jones' the classic track Tainted Love in 1984, and their first record Non-Stop Erotic Cabaret is considered a classic of electronic music.

He subsequently formed the pioneering techno group The Grid, who secured chart success with 1994's Swamp Thing.

Ball passed away calmly in his sleep at his home in London on Wednesday 22 October, only a short time after playing a headline show with Soft Cell at the Rewind music event in Henley-on-Thames.

Recent Health Challenges

During that performance, Ball performed in a mobility chair, as he had for the last two years, after a spate of ill-health.

"I managed to injure myself significantly," he stated in a recent interview. "I broke lower vertebrae in my spine and cracked about five ribs and broke my wrist."

After contracting a lung infection and developing blood poisoning, he was placed in an medically-induced sleep and stayed in the hospital for seven months.

Nevertheless, he had been in "high spirits mentally" over the warmer months, as he was developing a new album with Almond, called the upcoming Danceteria, which is set for publication next year.

"He was concentrated and very pleased with the latest project that we actually completed only a few days ago," said the vocalist in a heartfelt message.
"It's truly heartbreaking as next year was all set to be such an uplifting year for him, and I take some solace from the knowledge that he heard the finished record and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the forefront of the electronic music scene in the beginning of the decade

Tributes

Almond referred to his bandmate as "a wonderfully brilliant musical genius", stating: "He was the heart and soul of Soft Cell and I'm extremely pleased of our body of work.

"Thank you Dave for being an significant aspect of my existence and for the music you gave me. I couldn't be where I am without your influence."

His Grid bandmate from The Grid, shared his condolences, remembering Ball's "constant humor" and "unwavering friendship".

"Being in a partnership with someone is distinct from being in a band, the bond is very tight," he added.
"That's how it was with us. We went through so many extraordinary, extraordinary, memorable moments as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in recent years

Formative Years

Brought into the world into a one-parent family in the city of Chester in the late 50s, Ball was put up for adoption when he was a year and a half old.

He grew up in Blackpool with adoptive parents his caregivers, who changed his given name from his birth name to David, together with his younger sister Susan, who was similarly welcomed.

He met Almond at an art college in 1977, where they were both studying fine arts. Inspired by a mutual passion of Northern Soul, they formed Soft Cell the same year, and quickly produced an EP.

Creative Collaboration

The pair were an unusual combination: Ball was the quiet musician, bent over his synthesizer, while Almond was a flamboyant performer, all glitter and makeup; but they achieved a unique musical alchemy.

Ball had cultivated a interest with electronic instruments after watching the band Kraftwerk appear on a television science show Tomorrow's World, and started to marry moody electronic sounds to the soaring melodies Almond was composing.

Their signature song became the United Kingdom's second biggest-selling single of the early 80s, shifting 21 million units worldwide. Together with hits by Gary Numan, contemporary bands and Ultravox, it helped cleared the way for the synth-pop sound of the 1980s.

The track was also included on their first album, Non-Stop Erotic Cabaret, which produced two additional high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the stand-alone single, Torch, which reached at the second position in the following year.

Soft Cell in the studio
The duo were working on new material right up until Ball's passing

Professional Journey

Success had its benefits. "I enjoyed being able to purchase my first home, having money and travelling, which makes me sound like a beauty queen," Ball not long ago shared with a music magazine.

But it also presented problems. "Sudden riches meant we could purchase substances to relieve the boredom" of media interviews and TV performances, Ball explained.

"I know that's a common saying, but it's a cliché for a valid cause, because it applies for so many musicians."

During the hedonistic lifestyle, the duo were also drifting apart, but they succeeded to create a second classic album - the wayward, tense and fittingly named The Art Of Falling Apart.

They released one more album, their 1984 release This Last Night In Sodom, before dissolving the group to concentrate on individual endeavors.

Almond went on to have a successful individual path, including the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined acid house with ambient pop over a enduring partnership.

Later Work and Comebacks

Soft Cell reunited in 2001, releasing the Top 40 album Cruelty Without Beauty.

After a further hiatus, they reappeared in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a final performance at the O2 Arena on September 30, 2018.

However, they remained together, creating their latest project, Happiness Not Included, during the 2020 restrictions.

Ball lately described the duo's new album as a homage to the NYC nightlife they visited while making their initial records.

He added that his time in medical care had shaped the group's music.

"I experienced strange recollections when I was coming and going of the hospital because I was on morphine," he told a publication.
"The new songs are a electronic representation of the sounds in my head from those days.
"Simultaneously, it's about the times me and Marc had in the 80s."

The final mixes were completed only days before Ball died. It is scheduled for launch in the spring of 2026.

Written by

Samantha Wise

Escritora apasionada por el bienestar y la sostenibilidad, compartiendo experiencias para inspirar un estilo de vida más consciente.

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